AATMA Manchester
Doors 7pm
Manchester-born and now Todmorden-based independent label AnalogueTrash is proud to present a triple-headline live music showcase featuring three of its incredible acts. Take a chance and discover something special.
Live music will be starting at 7:30pm sharp with the running order decided on the night, so get down early to catch all three performances.
Sandi Glowe
Italian singer, songwriter and guitarist Sandi Glowe blends art pop, dream pop and guitar-driven gothic tones into a into a richly woven and vivid tapestry of shades and moods. Her live shows with her full band are powerful, melodic and engaging in equal measure.
Enjoy some music by Sandi Glowe.
The Royal Ritual
The dark alternative project of music producer and sound designer David Lawrie, The Royal Ritual paints harsh synthetic tones; dark, percussive sound design; and traditional world instruments onto a vivid post-industrial canvas.
Enjoy some music by The Royal Ritual.
Zeropolis
Two French exiles living in London, inspired and energised by the UK punk scene; Zeropolis’ music sees polemical electropunk and post-punk collide with all the best bits of EBM, industrial and electronica.
Enjoy some music by Zeropolis.
Tickets £7 inc bf
A fun energetic night filled with jungle, hyperpop, dubstep and post-punk.
Lineup:
neib
outofprayer
rit
farella
cloudlobby
nox
heyitsbenji
wdms
dualspines
MXchrd
murder movies
£7.50
“The songs range from golden shimmery atmospherics to punchy power tunes” ~ Miki Berenyi (Lush, Piroshka)
“Moss’s love of 1980s and 1990s jangle and fuzz-pop (from the Smiths and Stone Roses to Lush and Ride) is audible on standout ‘Seeing Everything’ and ‘Arrive Alive’,” ~ The Irish Times
“A gem of heart stopping beauty that resonates and lightly slaps your earlobes with a glorious sound” ~ Louder Than War
“a gloriously captivating listen” ~ Clash Magazine
KEELEY (fronted by acclaimed singer-guitarist Keeley Moss) make their return to AATMA with support from Sweet Knuckle (feat. ex-members of legendary Factory Records band Section 25) and Last Tourist. An evening of dreamrock, post-punk and shoegaze stylings.
Adv tickets £8 + bf
A night of uplifting punk rock in the heart of the Northern Quarter.
Diaz Brothers – Melodic hardcore from Sunderland with a nod to classic mid-west emo, previewing songs from their difficult second album
https://www.facebook.com/DiazBrothersSunderland
https://diazbrothers.bandcamp.com/album/diaz-brothers
Toronto Blessings – Barnsley Choppers playing synth-driven angular post this and post that.
New album out imminently on Serial Bowl Records
https://www.facebook.com/TorontoBlessings/
Clayface – localish gruff punk cheeky chappies with an album under their belt and hooks galore!
Dublin’s psych-dreampop-indie rising stars play their first Manchester show in support of their debut album “Floating Above Everything Else” (Dimple Discs). “Every once in a while we get band that comes out of nowhere and provides us with a gem of heart stopping beauty that resonates and lightly slaps your earlobes with a glorious sound. KEELEY are one of them” – Louderthanwar (Album of the Week) Support from Def Robot. Formed in 2019, DR have released 17 albums covering a wide mix of genres. Alternative Rock is the main sound and influences include The Pixies, Talking Heads, The Fall, Joy Division, The Clash and post punk in general.
Songs of Preys Music Production of 80’s Post-Punk/Goth icons AUSGANG playing Live at AATMA in Manchester before they embark of the first leg of their USA tour. They will be supported by SENEX IV.
CUT – Italian Punks on first UK tour in four years, a must see live band!
Bones Shake – A scuzzed fuzzed blues three piece from Manchester.
New LP Sermons out now on Abattoir Blues Record
Dead Stilettos – Your Creepy Uncle’s Wedding Band, Stoogified Mancunian Punk
MRI – Noisy shouty songsters
Doors: 7:30pm (ends by 11pm)
Cost £8 cash/card on the door or online from Fatsoma
CUT are a Rock and Roll/Punk/Noise trio from Italy.
Their sound has been described in many ways but the band’s favourite is still: ‘John Lee Hooker stuck in a post-punk straitjacket’